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  Sing a Secret

About

Find your Inside Voice at Sing a Secret
I work with:
  • singers from all genres and training backgrounds (from opera to death metal and everything in between) and self-professed “non-singers”
  • professional speakers, voice-over artists, podcasters, and, truly, anyone who speaks at all
  • healers, shamans, and anyone who wants to discover how their own voice can heal them.
My Inside Voice techniques have found a home in theatre studios, music festivals, mindfulness organizations, the TED Conferences, colleges/universities, choirs, and corporations.  I am committed to making my work safe and accessible to everyone. It is my highest priority to approach voice work and healing in a way that is anti-racist, feminist-conscious, queer- and trans-friendly and body-positive in every way.
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Photo by Laurence Kesterton
  • I believe that when you work on the voice you work on your self.
  • I believe that everything you've been told about your voice is wrong.
  • I believe that the only limits on your voice are the limits of your imagination.
  • I believe that if you're making a sound you want to make, you cannot hurt your voice.
  • I believe that the voice is the audible manifestation of your self.
  • I believe that you can sing beautifully, confidently, and powerfully.
  • I believe that there is no difference between speaking and singing.
  • I believe that any pitch problems you've ever had are actually listening problems and that they are incredibly easy to fix.
  • I believe that almost all vocal pathologies, injuries, and traumas have their bases in our emotional lives.
  • I believe that if you can hear it, you can sing it. ​
  • I believe that your voice is your body is your mind is your spirit.

I believe in your Inside Voice, the voice inside you and only you, and I believe the world deserves to hear it and you deserve to celebrate it ​

About me and Inside Voice:
​
I'm not a very traditional voice teacher. I did not, like so many, come to teaching through work as a professional singer. In fact, when I went off to college, I thought I'd never ever get to sing along happily to the radio without torturing myself and others. 


But then something happened. A lot of somethings actually. In my early twenties I trained with two legendary men, Richard Armstrong  (Roy Hart Theatre) and Thomas Richards (Grotowksi Workcenter), who with philosophies and teaching styles which could not have diverged more, helped me understand that my voice is not an instrument at all, but simply me. Period. Full stop. 

I began feeding my voice (and therefore my self) a steady diet of self-love and curiosity and heard my range expand, stretching from the octave below bass way up to coloratura soprano, all without a “break.” I began to paint with my voice, drawing colors from truly infinite permutations of tone, resonance, and intent, and discovered a whole realm of chorded, broken, visceral, and otherworldly sounds. I learned to sound like my favorite artists, to sound like my favorite animals, to sound like me, all of the beautiful and terrible parts of me.  I found songs in me that no one ever taught me, songs from another time and place, that made my whole being vibrate. 

As an instructor of physical theatre in the masters program of the Royal Academy of Dramatic Art in London, I began experimenting with other’s voices. I found that all this work on my own voice had taught me a keen new sense of deep listening that allowed me to hear what a voice was expressing and what it was hiding. I began creating exercises that joyfully allowed these secrets to be revealed.  Inside Voice was born, and what originated as an actor training model soon became accessible to any human longing to understand and love their voice and their self more. 

Once I started working with people in these vulnerable states, I supplemented my background in voice and performance with a wide assortment of modalities, including craniosacral therapy, tarot, hypnosis, holotropic breathwork, sound healing, aromatherapy, plant medicine, meditation, visualization, and shamanic journeying. Through these practices, I’ve found that many times, the most significant vocal obstacles I am able to unlock for my clients can happen without them singing a single note.
  • Home
  • About
  • Classes & Experiences
    • Private Sessions
    • Sing a Secret
    • Inside Voice Lab
  • Testimonials
  • My Room
  • Contact